Mondays
Details
Duration:
Workshop
Date:
Monday 7 – 9 p.m.
(except holidays)
Monitor:
Matthew Forehand
Level:
All Levels
Cost:
$15
Capacity:
10
Location:
Oolite Arts
924 Lincoln Road, Miami Beach, FL 33139
Register:
See Main Section for Registration
Contact:
Melissa Gabriel
[email protected]
Information
Sept 27 – SOLD OUT
Oct 4 – Register Here
Oct 11 – Register Here
Oct 18 – Register Here
Oct 25 – Register Here
All registrants will be requested to abide by all COVID safety protocols put in place by Oolite Arts and agree to all the terms in the waiver.
Figure Drawing Studio will begin on Sept. 13, 7-9 p.m, and continue every Monday except holidays.
This is an uninstructed drawing session intended for those who would like to try their hand at figure drawing or refine their skills while working from a nude live model, female or male, in a variety of poses. Pencils & paper are provided. All media welcome.
Guidance is available if needed. Open to teens with written parental permission.
Pre-registration ends at 6 pm. No drop-in permitted.
Model’s schedule:
Sept. 27: Veronica
Oct. 4: Justin
ABOUT THE MONITOR
Originally from Pensacola, Florida, Matthew Forehand has based his art career out of the city of Miami. He began his art school studies at Pensacola State College where he received his Associates degree in Visual Arts. Matthew continued his education at The School of the Art Institute of Chicago (SAIC) and graduated with a Bachelor of Fine Arts Degree in Painting, Drawing, and Printmaking. During his time at SAIC, he enrolled in Ox-Bow School of the Arts, an artist residency in Saugatuck, Michigan. He currently teaches visual arts at Miami Arts Charter School (MAC). His courses at MAC include Foundational Elements of Art, Material Based Art, and Printmaking. At Oolite he teaches Drawing, Painting and Printmaking.
Materials
Materials Provided
Oolite Arts strives to be a leader in the South Florida contemporary cultural scene as a creative learning center and internationally recognized as a world-class cultural center.
