Join Locust Projects and Oolite Arts for a conversation with curator Rita Gonzalez.
Rita Gonzalez is the Terri and Michael Smooke Curator and Department Head of Contemporary Art at the Los Angeles County Museum of Art where she has curated Phantom Sightings: Art after the Chicano Movement; Asco: Elite of the Obscure; Lost Line: Contemporary Art from the Collection; Agnés Varda in Californialand, and In Production: Art and the Studio System, among other exhibitions and programs. Gonzalez curated L.A. Exuberance: New Gifts by Artists, an exhibition that featured sixty gifts and marked the culmination of LACMA’s 50th anniversary year. Together with Jose Luis Blondet and Pilar Tompkins Rivas, she curated A Universal History of Infamy, a group exhibition of contemporary Latino and Latin American artists, during Pacific Standard Time LA/LA. Gonzalez’s curatorial collaboration with filmmaker Jesse Lerner, Mexperimental Cinema, was the first survey of Mexican experimental film and video. It traveled to museums and film festivals internationally and resulted in the first bilingual publication on the subject.
From 1997–1999, she was the Lila Wallace Curatorial Fellow at the Museum of Contemporary Art, San Diego. At MCA San Diego, she worked on numerous exhibitions, lectures, and film programs, as well as serving as curator for William Kentridge: Weighing and Wanting. She also co-curated the 2006 California Biennial and Adrià Julià: La Villa Basque at the Orange County Museum of Art, and 20 Years Ago Today at the Japanese American National Museum. Her essays appear in Still Moving: Between Cinema and Photography (Duke University Press), Recent Pasts: Art in Southern California from 90s to Now (JRP|Ringier Zurich), and California Video: Artists and Histories (Getty Publications). She has contributed essays to monographs on Wu Tsang, Alejandro Diaz, Rodney McMillian, and Kate Costello. She was on the curatorial team for Prospect 3 New Orleans and part of the curatorial teams for the first Current L.A. Biennial in 2016 and the Gwangju Bienale in 2018.
Special thanks to our sponsors Cultured Mag and Concrete Beach Brewery.